Sell Out, A Series: 5 Questions with Megan Bridge

Sell Out, A Series: 5 Questions with Megan Bridge

Sell Out is a series by interdisciplinary artist Angela Fama (she/they), who co-creates conversations with individual artists across Vancouver. Questioning ideas of artistry, identity, “day jobs,” and how they intertwine, Fama settles in with each artist (at a local café of their choice) and asks the same series of questions. With one roll of medium format film, Fama captures portraits of the artist, after the verbal conversations have been had.

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In Place, Make Space: Home is An Ever-Shifting Place

In Place, Make Space: Home is An Ever-Shifting Place

What happens when home strays from the concept we learned and imagined as children? Local artists Amelia Earhart and Elena Imari Hoh explore this question and the ways that a seemingly simple concept, “home,” is complicated and distorted for mixed children of diaspora. Yet, their recent exhibition, In Place, Make Space, at Slice of Life offers home as something we find and embrace in memories, connections with people, and even foreign places; they celebrate home through the intangible and as something we actively form, rather than something we can lose.

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Vancouver International Women in Film Festival Review: Esther and Sai Tells the Story of Immigration and Homesickness Through Food

Vancouver International Women in Film Festival Review: Esther and Sai Tells the Story of Immigration and Homesickness Through Food

Esther and Sai presents an unlikely antagonist for a film: mac and cheese. Yet, in a short film about the discomfort, loneliness, and homesickness of migrating to a new country, mac and cheese is actually a perfect analogy of the unfamiliarity of North American foods—and attitudes—to newcomers.

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The Golden Section challenges the conventions of hair

The Golden Section challenges the conventions of hair

Around 2020, I moved to a new apartment far away from my local hair store, into a new neighbourhood with no Black hair stores nearby. As I searched for adequate hair supplies for my fro’, I was led to online shopping. In this pursuit, I found a Black hair store in Alberta that had everything I needed: wigs, weaves, and hair masks of all kinds. Upon receiving my goods, within the crammed packages of hair, there was a skin lightening soap bar. I quickly threw the soapbox away.

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How Indigenous Artists and Knowledge Keepers are using lens-based media to navigate conversations of care and action

How Indigenous Artists and Knowledge Keepers are using lens-based media to navigate conversations of care and action

In a time of climate disasters, humanitarian crises, racial injustices, reconciliation failures, economic downturn, and political theatre, Response: Soft Action asks us to pause and reflect on conversations about care, ideas of home, explorations of identity and belonging, and how that can translate into action/activism.

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I Am Because They Were: A Review of Berlynn Beam and Chase Keetley's We Lost People: Diasporic Departures

I Am Because They Were: A Review of Berlynn Beam and Chase Keetley's We Lost People: Diasporic Departures

Throughout the past two years of civil unrest, financial collapse, and pandemic, we have each been reminded of the frailty of both our systems and our bodies. Whether this frailty struck us in the form of lost loved ones and Zoom-sponsored funerals, or through government-sanctioned murder turned viral video, it has become undeniably clear that radical systemic change is needed to address the continued subjugation of the displaced and disenfranchised. For those who, thanks to the sacrifices of those that came before, march for a post-colonial future either in spirit or in the streets, survival has also reminded us to breathe, to grieve, and to remember. In the same light, We Lost People: Diasporic Departures by Berlynn Beam and Chase Keetley of Black Arts Vancouver – on view at UBC’s Museum of Anthropology as a part of Sankofa: African Routes, Canadian Roots – invites viewers to pause and consider the land we gather on, the places we come from, and the people we have lost.

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"Morning Shift" by Taylor Neal

"Morning Shift" by Taylor Neal

Taylor Neal’s interpretation of their experiences rising for early morning shifts as they work as a support worker in the DTES. They would rise each morning to find the moon protecting them, and they would have these tender, quiet mornings alone before anyone else was awake, which allowed them to move into their day in a peaceful, protected state of calm.

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