I Am Because They Were: A Review of Berlynn Beam and Chase Keetley's We Lost People: Diasporic Departures

I Am Because They Were: A Review of Berlynn Beam and Chase Keetley's We Lost People: Diasporic Departures

Throughout the past two years of civil unrest, financial collapse, and pandemic, we have each been reminded of the frailty of both our systems and our bodies. Whether this frailty struck us in the form of lost loved ones and Zoom-sponsored funerals, or through government-sanctioned murder turned viral video, it has become undeniably clear that radical systemic change is needed to address the continued subjugation of the displaced and disenfranchised. For those who, thanks to the sacrifices of those that came before, march for a post-colonial future either in spirit or in the streets, survival has also reminded us to breathe, to grieve, and to remember. In the same light, We Lost People: Diasporic Departures by Berlynn Beam and Chase Keetley of Black Arts Vancouver – on view at UBC’s Museum of Anthropology as a part of Sankofa: African Routes, Canadian Roots – invites viewers to pause and consider the land we gather on, the places we come from, and the people we have lost.

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"Morning Shift" by Taylor Neal

"Morning Shift" by Taylor Neal

Taylor Neal’s interpretation of their experiences rising for early morning shifts as they work as a support worker in the DTES. They would rise each morning to find the moon protecting them, and they would have these tender, quiet mornings alone before anyone else was awake, which allowed them to move into their day in a peaceful, protected state of calm.

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VAFF Review: Emergence: Out of the Shadows

VAFF Review: Emergence: Out of the Shadows

Nobody tells you explicitly how intimate oppression is; it is not only in the streets or institutionally. It is also while you brush your teeth and right before you go to bed, and when you say a prayer to the deity you question exists. You are not man enough, says the patriarchy as you wash your face. You are nowhere near rich enough for your dreams, says capitalism as you floss. You are not beautiful enough, says white supremacy as you bring yourself into meditation to attempt to chase out the world you will one day transcend.

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October Artist of the Month: Ariane Lapointe

October Artist of the Month: Ariane Lapointe

Ariane Lapointe invites everyone to her ghost club. The tattoo and print artist has become well-known in Vancouver for her whimsical artistry, especially the kindred ghost tattoos uniquely tailored for each client. The ghosts are everywhere. “People on the street meet each other and spot them. It’s so recognizable,” says Lapointe.

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The (sur)Real Life of Hannah Maynard: Be Still at the 2021 VIFF

The (sur)Real Life of Hannah Maynard: Be Still at the 2021 VIFF

When you think of Surrealism, what do you picture? Dali’s melting clocks? A pipe that claims it isn’t a pipe? Maybe even a Neo-Dadaist-turned-Millennial-Meme video proclaiming “I’m still a piece of garbage,” as if it were a local television jingle. What you probably aren’t imagining is a middle-aged woman dressed in 19th-century mourning attire. In fact, it’s likely that you’ve never even heard of the acclaimed Canadian photographer Hannah Maynard.

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MEET SEPTEMBER ARTIST OF THE MONTH: JASON BEMPONG

MEET SEPTEMBER ARTIST OF THE MONTH: JASON BEMPONG

While juggling these art forms, Jason Bempong spends most of his time focusing on Sleepless Mindz, his art and fashion brand, dance and dance battles, as well as acting. He recently was a part of this year’s Vancouver Mural Festival opening ceremony and was also a part of the encore celebration this past weekend. “I sleep when I can,” Bempong jokes.

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