Poem: At the End of the Fiscal Year by Curtis LeBlanc

Illustration by Ricky Castanedo  | Instagram: @outer.darkness

There were desks and desks for me
to put the crowbar through, just so no one
else could possibly have a use for them.
Beside the green garbage bin in the loading bay
of the business supplies department store, I destroyed
the smooth surfaces that mocked maple
and mahogany, oak and pine, until they
showed themselves for who they really were,
wood chips and sawdust pressed into
the semblance of a solid sheet, the real thing.
I was a quiet kind of afraid, paid to break
apart the useless shit that surrounded me. 
I tapped my wisdom teeth together, still seething
just below my gums, along to the beat
of an imaginary drum like I was watching
my favourite band play live for the first time
in the basement of a church or the backroom
of a place I was still too young to be in.
I killed time with kids who dumpster dived
at the bankrupt Burger King across the street,
crawled through the colourful plastic tubes
of the dismantled playroom. We bought
fluorescent light bulbs just to smash them
on each other’s backs. White powdered ghosts
haunted our black cotton crew neck sweaters. 
And all I ever really wanted was to feel
at peace in the company of others.
Had you told me it could be years, that for some
that calm may never come, I might have never left
the loading bay, satisfied to destroy
the write-offs that my weekend supervisor
placed, like a gift, in front of me.

Verses Festival Recap: Vancouver Story Slam

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Vancouver Story Slam (VSS) took the stage at East Van’s Wise Hall on Wednesday, April 25th as part of Verses Festival of Words. This year marked the 8th annual festival for Verses, who stakes claim to Canada’s largest alternative literary festival. The program which ran from April 19-29 offered a range of events, like poetry readings, story slams, workshops, and live music mingled with literature. 

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I was drawn to the western for a few reasons. One: it’s a genre that very often seems to represent Indigenous peoples in problematic, stereotypical ways. Two: there are thousands of western novels that are now in the public domain, but it is also a genre that is still very much alive today. Three: many North Americans have a deep and troubling nostalgia for the genre (which is also often intertwined with a kind of romanticizing of colonization that could also been seen as a romanticizing of Indigenous genocide).

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