You might recognize Amelia Garvin’s striking artwork if you’ve been checking in for our fiction and poetry series over the past few months. This week, she answered questions by Kyla Jamieson about creating art, gathering inspiration, and translating fiction and poetry into illustrations. This is the first of a two-part series.
Read MoreAt 23, designer and entrepreneur Adam Lando is the founder of WTFWear, a growing clothing company based just off of Commercial Drive. From selling snapbacks for $25 each on the street during lunch breaks to dropping out of business school, Lando's success story is anything but ordinary.
Read MoreIt’s February; it’s cold, dark, and let’s face it, more than a little depressing. Luckily, it’s also time for the city’s first ever JFL NorthWest, a new comedy festival presented by NorthWest Comedy Fest and Just For Laughs from February 18 to 27.
Read MoreComedian Charles Demers is well spoken, funny, affable—a clear crowd favourite in his native Vancouver. His latest show, Leftovers, stole the audience's hearts with a hint of socialism, a lot of laughter, and even a little bit of Tina Turner.
Read MoreCocktails, science, and a good cause—Science World's The Science of Cocktails has it all. The one night only charity gala takes place on February 4, 2016.
Read MoreIn anticipation of our upcoming High School issue (and in celebration of all things ginger), we interviewed Stephen Tufts of Dickie’s Ginger. What started as a complaint about the city's lack of decent ginger beer grew into an epicurean favourite, gracing The Globe and Mail’s recommended foodie gift list in December.
Read MoreThe Contemporary Art Gallery and SAD Mag invite you to a Special CAG Young Patrons event to celebrate the premiere of the performance work Staring at the Ceiling by Canadian artist Tiziana La Melia.
Read MoreShmuel Marmorstein reviewed Haberdashery Theatre Company's The Motherf**ker with the Hat, on until January 30th at The Firehall Arts Centre. The play has been the subject of a controversy over race and casting that has gone straight to the heart of some entrenched issues in the world of Vancouver theatre.
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