Thea and cinematographer Jeremiah Reyes—a Filipino husband-and-wife team—turn the camera on themselves in Inay (Tagalog for “Mama”) to explore the cultural and psychological impacts on children whose mothers left the Philippines out of economic necessity. Thea begins a thoughtful inquiry into the experiences of family separation by interviewing her husband, Jeremiah, and her best friend, Shirley. Through her explorations, Inay intertwines personal narratives with historical context to shed light on the impact of migration policies created by the Live-In Caregiver Program (LCP). As a viewer, I stumbled with Thea as she navigates the pain and trauma her partner and friend have experienced through migration and mental illness and challenges the notion of normalcy within Filipino immigrant experiences.